Showing posts from April, 2024Show All
Three Great Documentaries to Stream
Blue Ivy Carter to Join Beyoncé in ‘Mufasa: The Lion King’
A Starry Cast Navigates ‘Uncle Vanya’ and ‘Every Emotion Under the Sun’
How They Served the Tennis Scenes in ‘Challengers’
With ‘Challengers’ and ‘Saltburn,’ Hollywood Movies Embrace Sex Again
‘The Interview’ Podcast: Anne Hathaway
‘Challengers’ | Anatomy of a Scene
8 New Movies Our Critics Are Talking About This Week
Zendaya, Luca Guadagnino, Josh O’Connor and Mike Faist on ‘Challengers’
Review: Steve Carell as the 50-Year-Old Loser in a Comic ‘Uncle Vanya’
Video Shows Crash That Injured Crew Members of ‘The Pickup’
What Directors Love About Nicole Kidman
‘Mary Jane’ Review: When Parenting Means Intensive Care
Sydney Sweeney and Glen Powell Explain ‘Anyone but You’ Going From Miss to Hit
Lourdes Portillo, Oscar-Nominated Documentary Filmmaker, Dies at 80
‘Cabaret’ Review: Dancing, and Screaming, at the End of the World
‘Catfish,’ the TV Show That Predicted America’s Disorienting Digital Future
Alfred Molina on the Museum He Never Misses When He’s in New York
With ‘The Amityville Horror,’ One House. Many Haunts.
4 Documentaries That Explore How Families Cope With Dementia
‘Rebel Moon — Part Two: The Scargiver’ Review: Of Stars and Wars
‘Abigail’ Review: Horror by Numbers
‘The Wiz’ Review: A Black Classic Returns to Broadway
2024 Tribeca Festival Event Lineup Released
2024 Tribeca Festival Event Lineup Released
Denis Villeneuve Answers All Your ‘Dune: Part Two’ Questions
The Beatles’ ‘Let It Be’ Film Will Stream After 54 Years on Disney+
‘Man’s Castle’: Free Love, Hard Times
How They Pulled Off the Ending to ‘Civil War’
‘The Stranger’ Review: Somewhere Over the Freeway
‘Civil War’ Is No. 1 at Box Office
Prince Harry Hits the Polo Field in Front of Netflix Cameras
Netflix’s New Film Strategy: More About the Audience, Less About Auteurs
‘Civil War,’ ‘Sasquatch Sunset' and Other New Movies Our Critics Are Talking About
A.I. Made These Movies Sharper. Critics Say It Ruined Them.
Eleanor Coppola, Who Chronicled Her Family’s Filmmaking, Dies at 87
7 New Movies Our Critics Are Talking About This Week
The O.J. Simpson White Bronco Is Now a Museum Piece. In Tennessee.
Before He Was Infamous, O.J. Simpson’s Acting Helped Make Him Famous
‘Civil War’ Review: We Have Met the Enemy and It Is Us. Again.
Theda Hammel’s Road to a Directorial Debut With ‘Stress Positions’
‘It’s Only Life After All’ Review: Indigo Girls Documentary
What to Know About ‘Sasquatch Sunset’
Trevor Griffiths, Marxist Writer for Stage and Screen, Dies at 88
Downtown Los Angeles Places Another Big Bet on the Arts
Why Filmmakers Love to Adapt Patricia Highsmith’s Ripley
Rufus Sewell Plays a Gasping Prince Andrew in ‘Scoop’
The Best True Crime to Stream: Scams, Schemes and Costly Lies
To Live Long and Prosper, Do What George Takei Does
‘Zone of Interest’ Oscars Speech Is Defended by Jewish Film Artists
5 Children’s Movies to Stream Now
Directing ‘Monkey Man,’ Dev Patel Makes Himself an Action Hero
‘The Beast’ Review: Master of Puppets
‘Música’ Review: Rudy Mancuso’s Debut Feature
Eli Noyes, Animator Who Turned Clay and Sand Into Art, Dies at 81
Julia Stiles, 25 Years After “10 Things I Hate About You”
#MeToo Stalled in France. Judith Godrèche Might Be Changing That.
The Best Movies and TV Shows Coming to Amazon, Disney+, Apple TV+ and More in April
Barbara Rush, Award-Winning TV and Film Actress, Dies at 97
Rebecca Hall on ‘Godzilla x Kong’ and Finding Her Way in Hollywood
In ‘Godzilla x Kong,’ Destruction, But Not Much Concern
‘The People’s Joker’ and the Perils of Playing With a Studio’s Copyright